Voeu de Noel by Caron c1939

Launched in 1939, Voeu de Noel by Caron is a captivating floral oriental fragrance for women, crafted by the renowned perfumer Ernest Daltroff. This perfume emerged during a period rich with innovation and elegance in the fragrance world. The late 1930s were a time when the art of perfumery was deeply intertwined with the evolving trends in fashion and luxury. The era was characterized by a preference for opulent and complex fragrances, often blending floral and oriental notes to create sophisticated and multi-layered scent profiles. Voeu de Noel, with its floral oriental composition, aligns with this trend while offering a distinctive touch through its rose-centric formulation.

The name Voeu de Noel translates to "Christmas Wish" in English. This choice of name reflects a sentiment of hope and celebration, which was particularly poignant in the context of the late 1930s. The period was marked by a sense of anticipation and renewal as the world emerged from the uncertainties of the pre-war years. By naming the fragrance Voeu de Noel, Caron evoked images of festive cheer, romance, and the warmth of the holiday season. The name suggests a fragrance that embodies the spirit of giving and the joy of celebration, aligning with the emotional resonance associated with Christmas.

The choice of this name was quite unique for its time, as it directly connected the perfume to a specific holiday theme, which was less common in the industry. This thematic naming would have been evocative, appealing to consumers' desires for luxury and festive spirit. Voeu de Noel thus stood out as a distinct offering among its contemporaries, which often had names focused on abstract or exotic concepts rather than seasonal or emotionally charged themes.

In terms of cultural context, the late 1930s saw a variety of artistic and cinematic themes that resonated with notions of elegance and celebration. Films of the era, such as those showcasing glamorous holiday settings or romantic narratives, would have mirrored the kind of festive allure embodied by Voeu de Noel. The perfume's name and its association with a joyful occasion like Christmas would have been interpreted as a symbol of refined taste and seasonal luxury, making it a memorable and distinctive choice in the perfume market of the time.

La Mode by Caron c1915

The perfume "La Mode" by Caron was launched in 1915, a time characterized by the culmination of the Belle Époque, a period marked by peace, prosperity, and cultural flourishing in Europe. This era, which lasted from the late 19th century until the onset of World War I, was a time of artistic innovation, luxury, and a blossoming of the arts. Fashion during this period was extravagant and elegant, with women adorned in opulent gowns featuring intricate lace, delicate embroidery, and luxurious fabrics such as silk and satin. The styles of the Belle Époque celebrated femininity and sophistication, with a strong emphasis on beauty and refinement.

The name "La Mode" translates to "The Fashion" in English. Parfums Caron likely chose this name to resonate with the fashionable and style-conscious society of the time. Fashion was not merely about clothing but a lifestyle and an art form, symbolizing the epitome of elegance and taste. Naming the perfume "La Mode" positioned it as a quintessential accessory for the fashionable elite, aligning it with the high standards of couture and the sophisticated lifestyle associated with Parisian fashion.

"La Mode" would be an excellent name for a perfume because it directly appeals to the aspirations of those who wish to be seen as stylish and chic. It suggests that wearing this perfume is akin to wearing the latest fashion, thereby offering not just a scent but an experience of being in vogue. The name evokes images of the glamorous salons of Paris, bustling with designers, models, and socialites, all striving to capture the essence of beauty and trendiness.

Pois de Senteur by Caron c1950

Rare amphora bottle, convex curved belly, fully coated with gold (wear) with bell shaped stopper curved, titled. Model designed by Felicie Bergaud. h: 17cm

photo by Pierre Berge

photo by ebay seller milagritos25

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Pour Un Femme de Caron c1949

Pour Un Femme de Caron: launched in 1949, created by Michel Morsetti. 

Chantecler by Caron c1906

In 1906, the time period surrounding the launch of Chantecler by Caron was marked by a fascination with literary and theatrical themes. The name "Chantecler" itself derives from Edmond Rostand's play of the same name, where a rooster (Chantecler) believes his crowing brings forth the sun. This play was a significant cultural phenomenon, blending whimsical anthropomorphism with deeper philosophical themes.

Parfums Caron's choice of "Chantecler" as a perfume name likely aimed to capitalize on the play's popularity and its evocation of natural beauty and charm. In the early 20th century, perfumes often drew inspiration from literature and theater, aligning with the romantic and artistic sensibilities of the time. "Chantecler" would have resonated with individuals familiar with Rostand's work, evoking imagery of a proud, vibrant rooster heralding the dawn—a symbol of optimism, awakening, and the natural world.

For those who related to this perfume, it would have sparked associations with the play's themes of beauty, nature, and the magic of everyday life. The name itself suggests a perfume that promises to awaken the senses, much like how Chantecler's crowing is believed to bring forth the morning light.

Eaux de Caron c1995-1997

The Eaux de Caron collection was composed up of three fragrances, that were issued starting in 1995 until 1997. The line also included: body lotion, shower cream, powder, soap and deodorant. 

Eau de Reglisse Liquorice c2006

Eau de Reglisse Liquorice: Created in 2006.

Elegancia by Caron c1911

The perfume Elegancia by Caron, created by Ernest Daltroff and launched in 1911, emerged during the final years of the Belle Époque, a period characterized by its remarkable elegance, artistic flourishing, and social progress in Europe, particularly in France. The Belle Époque, which spanned from the late 19th century until the outbreak of World War I in 1914, was a time of cultural renaissance. Paris, the heart of this era, was an epicenter of art, fashion, and luxury. The city radiated a sense of optimism and sophistication, with its grand boulevards, opulent theaters, and bustling cafes. This period saw the rise of haute couture, pioneered by designers like Charles Worth and Paul Poiret, who emphasized opulence and exquisite craftsmanship in their creations. Against this backdrop of artistic and social exuberance, Elegancia by Caron was born, encapsulating the essence of the age in a fragrant tribute to style and grace.

The name "Elegancia" translates to "Elegance" in English, a term synonymous with refinement, grace, and sophisticated beauty. Parfums Caron’s choice of the name "Elegancia" was a deliberate nod to the sophisticated and polished nature of the Belle Époque. By naming the perfume "Elegancia," Caron aimed to evoke the refined and stylish essence that was so highly prized during this time. The name itself would have resonated deeply with those who valued the cultured and artistic ethos of the era, reflecting a sense of timeless beauty and understated luxury.

"Elegancia" is an ideal name for a perfume as it immediately conveys a sense of refined sophistication and timeless charm. Perfume is often seen as an invisible accessory that enhances one's presence and allure. The name "Elegancia" suggests that the wearer of this fragrance would embody grace and refinement, appealing to those who appreciate the finer things in life. It speaks to an aspirational quality, promising the wearer a touch of the elegance that was so central to the Belle Époque. In a market where the name of a perfume can evoke a wealth of imagery and emotions, "Elegancia" stands out as a beacon of high style and poise.

Those who would have related to a perfume called "Elegancia" in 1911 were likely individuals who appreciated the arts, fashion, and the cultured lifestyle of the Belle Époque. This would include the fashionable elite, artists, and socialites who frequented the grand salons and cafes of Paris. The name would resonate with them as it encapsulates the elegance and sophistication they sought to embody in their own lives. Upon encountering this perfume, they would likely respond with admiration and a sense of connection to the cultural zeitgeist of the time. They would appreciate the perfume as a statement of their refined taste and a reflection of their social status. 

En Avion by Caron c1929

En Avion by Caron: launched in France in 1929, in USA by 1932. Pronounced "ON-AH-VEE-ON", the name means "By Plane" in French. Created by Ernest Daltroff as a tribute to not only the vogue of air travel, but to both the aviators Jean Mermoz, Hélène Boucher and Lena Bernstein, the latter surpassed the record for time in the air by a woman.

Coup de Fouet by Caron c1954

"Coup de Fouet," a perfume launched by Parfums Caron in 1954, arrived during a dynamic and transformative era. The 1950s were marked by post-war optimism and economic prosperity. This decade saw the rise of consumer culture, fashion innovation, and a burgeoning interest in luxury goods. People were eager to embrace modernity and sophistication, seeking products that reflected their newfound sense of confidence and glamour. The perfume industry, in particular, was thriving, with many brands introducing bold and distinctive fragrances to cater to the tastes of an increasingly discerning clientele.

The name "Coup de Fouet" translates to "Crack the Whip" in English. This evocative phrase suggests a sudden, sharp, and invigorating action, embodying a sense of power, dynamism, and excitement. Parfums Caron likely chose this name to convey the perfume's intense and stimulating character. The imagery of a whip cracking implies an immediate and striking impact, which aligns with the fragrance's composition featuring a sharp note of pepper. The name also hints at a certain audacity and boldness, qualities that would appeal to those seeking a perfume that makes a statement.

The spicy floral fragrance, created by Michel Morsetti, is known for its sharp note of pepper. "Coup de Fouet" is an apt name for this perfume because it encapsulates the essence of a scent designed to awaken the senses and leave a memorable impression. The spicy floral fragrance, with its distinct peppery note, provides a jolt of energy and vivacity, much like the sudden crack of a whip. This immediate and powerful sensation would be both invigorating and alluring, making it an appealing choice for those who desire a fragrance that stands out and captivates attention.

Eau de Caron c1980

Eau de Caron: Created in 1980 by Michel Morsetti and Gerard Lefort.  Not to be confused with the 1994 Eaux de Cologne by Caron.

Bellodgia c1927

Bellodgia by Caron : launched in 1927, created by Ernest Daltroff. Pronounced "BELLO-JEE-AH". The perfume was inspired by the Italian town of Bellagio on Lake Como.

Bel Amour by Caron c1905

The early 1900s, when "Bel Amour" was launched, was a time of burgeoning romanticism and elegance in society. This period, known as the Belle Époque, was characterized by a sense of optimism, cultural innovation, and artistic flourishing. People were drawn to the beauty in art, fashion, and lifestyle, seeking to express their emotions and aspirations through these mediums. Against this backdrop, the launch of "Bel Amour" by Parfums Caron in 1905 encapsulated the era's essence, bringing to life a fragrance that would resonate with the spirit of romance and the pursuit of beauty.

The name "Bel Amour" translates to "Beautiful Love" in English. This evocative name was likely chosen by Parfums Caron to capture the timeless and universal appeal of love. "Bel Amour" conveys a sense of purity and idealism, reflecting the deep emotions and cherished memories associated with romantic love. By choosing this name, Parfums Caron aimed to create a fragrance that would embody the beauty and passion of love, appealing to the hearts of those who longed for an olfactory representation of their innermost feelings.

"Bel Amour" is a fitting name for a perfume because it conjures images of delicate and enchanting love stories. The phrase "Beautiful Love" evokes an emotional and sensory response, promising an experience that is both tender and captivating. A perfume named "Bel Amour" suggests a scent that is enchanting, gentle, and irresistibly charming—qualities that many would seek in a fragrance. It appeals to the romantic in everyone, offering a sense of nostalgia and longing for an idealized love.

Individuals who would relate to a perfume called "Bel Amour" are those who appreciate romance and elegance. They might be drawn to the idea of capturing the essence of love in a bottle, seeking a scent that can evoke memories of cherished moments or inspire new romantic encounters. Upon encountering "Bel Amour," they would likely respond with a sense of delight and emotional connection, as the fragrance would resonate with their personal experiences and desires.

Bain de Champagne c1924 and Royal Bain de Champagne c1941 and Royal Bain de Caron c2003

Bain de Champagne: (Bath of Champagne) Created in 1924 by Ernest Daltroff. Reportedly created for a Californian or Texan millionaire who liked to use champagne in his baths, albeit it got too expensive so he commissioned Caron to create a fragrance that would mimic the ritual.

Alpona c1939

Alpona was launched in 1939, against the backdrop of impending global conflict and the world's fascination with innovation and cultural exchange, exemplified by events like the 1939 World's Fair. This period also saw a strong appreciation for nature and escapism, with the French Alps symbolizing an idyllic, untouched beauty. In perfumery, this era celebrated natural ingredients and intricate compositions that could transport wearers to serene and exotic locales.

The French Alps are rich in botanicals used in perfumery. Lavender, for its calming and aromatic qualities; edelweiss, known for its soft, powdery floral notes; and various alpine herbs like thyme and rosemary, which provide fresh, green, and slightly spicy nuances. These ingredients encapsulate the purity and vitality of the alpine environment, creating fragrances that are fresh, invigorating, and deeply connected to nature.

The name "Alpona" ingeniously combines "Alp," referring to the French Alps, with the suffix "-ona," which adds a sense of femininity and elegance. The suffix "-ona" is often found in names and words that convey a grand or noble quality, adding an aura of sophistication and allure. By choosing this name, Parfums Caron and Ernest Daltroff aimed to evoke the majesty and beauty of the Alps while also suggesting a refined and elegant perfume experience.

"Alpona" as a name would appeal to those who appreciate both the natural beauty of the Alps and the sophisticated artistry of fine perfumery. It suggests a perfume that is refreshing, serene, and elegant, capturing the essence of alpine landscapes. The name resonates with individuals seeking an escape to nature and those who value the intricacy and craftsmanship in their fragrances. Showcased at the 1939 World's Fair, Alpona would have been seen as an international and sophisticated choice, drawing a cosmopolitan and discerning audience.

The word "Alpona" conjures images of snow-capped mountains, lush meadows, and clear, invigorating air. It evokes feelings of tranquility, purity, and a deep connection to nature. The name suggests a fragrance that offers a sensory journey to the serene and majestic environment of the French Alps, promising an experience that is both invigorating and calming. The detailed and natural beauty associated with alpine landscapes can be seen as a metaphor for the complex layers and notes in the perfume itself, offering a harmonious and enriching olfactory experience.

Aimez Moi c1996

Aimez-Moi: launched in 1996, in USA in 1998. The nose behind this fragrance is Dominique Ropion. It was directly inspired by the 1916 Caron fragrance N’Aimez Que Moi.

Affolant by Caron c1908

In 1908, the launch of "Affolant" by Parfums Caron occurred during a time of great cultural and social transformation. This period marked the Belle Époque in Europe, characterized by a flourishing of arts, literature, and a sense of romanticism. It was an era where love and passion were idealized, often portrayed as intense and consuming.

The name "Affolant" translates to "bewitching" or "enchanting" in English. Parfums Caron likely chose this name to evoke a sense of irresistible allure and overwhelming attraction, perfectly capturing the essence of a perfume designed to captivate the senses and evoke strong emotions.

"Affolant" would have been a fitting name for a perfume in this period because it resonates with the romantic ideals of the time. It suggests a fragrance that not only enhances one's allure but also has the power to enthrall and enchant those who encounter it. For individuals during the Belle Époque, a perfume named "Affolant" would have held the promise of enhancing their allure and embodying the intoxicating nature of love and passion.

The name "Affolant" evokes images of seduction, romance, and allure. It brings to mind the idea of being irresistibly captivating and leaving a lasting impression on others. Emotionally, it suggests a fragrance that stirs desire and fascination, drawing people closer.

Adastra by Caron c1936

In 1936, the world of perfumery was on the brink of a transformative era. The scent landscape was being reshaped by bold innovations and a thirst for futuristic allure. This period coincided with a burgeoning fascination with technology and the mysteries of the cosmos, themes that were prominently showcased at the 1933 World's Fair in Chicago. The Fair's theme, "A Century of Progress," celebrated technological advancements and envisioned a future filled with limitless possibilities. It was against this backdrop of progress and forward-thinking that Parfums Caron introduced "Adastra."

The name "Adastra," derived from the Latin "Ad Astra," meaning "to the stars," perfectly encapsulated the era's fascination with the future and the unknown. Choosing such a name for a perfume was both visionary and evocative. It suggested a fragrance that was not just an olfactory experience but a journey into the cosmos, an exploration of new frontiers. Ernest Daltroff, the creative genius behind Caron, likely envisioned Adastra as a scent that would transcend earthly boundaries, inviting wearers to dream and aspire towards the stars.

Adastra was more than just a name; it was a promise of adventure and aspiration. The concept of reaching for the stars resonated deeply during a time when society was captivated by the potential of scientific progress and exploration. This perfume would have appealed to individuals who were dreamers and visionaries, those who looked to the future with hope and ambition. Adastra symbolized a break from tradition, offering a fragrance that mirrored the innovative spirit of the age.

The word "Adastra" evokes images of vast, star-studded skies and the uncharted expanses of space. It conjures feelings of wonder, ambition, and limitless potential. For those who wore Adastra, it would have been a sensory reminder of their own aspirations and the endless possibilities that lay ahead. The name suggests a fragrance that is both ethereal and grounded in the quest for discovery, making it a perfect companion for those who dared to dream big.

Naming a perfume "Adastra" in 1936 was a bold and unique choice. It stood out in an industry that often leaned towards more traditional and romantic names. By choosing a name that literally means "to the stars," Caron positioned Adastra as a forward-thinking and innovative fragrance, perfectly in tune with the futuristic aspirations of the time. It was not out of touch but rather a reflection of the zeitgeist, capturing the essence of an era that celebrated progress and the exploration of new frontiers.

Adastra by Caron, created by the renowned perfumer Ernest Daltroff, was not just a fragrance; it was a symbol of an era defined by progress and a quest for the unknown. Launched in 1936 and showcased at the 1939 World's Fair, Adastra embodied the spirit of reaching for the stars, resonating with those who envisioned a future of endless possibilities. The name itself evoked powerful imagery and emotions, making it a unique and timely choice for a perfume that promised to take its wearers on a celestial journey.

Acaciosa by Caron c1923

Acaciosa by Caron was launched in 1923, a period marked by the aftermath of World War I and the dawn of the Roaring Twenties. This era was characterized by a fervent desire for change and renewal, with society embracing new forms of art, fashion, and culture. The 1920s, often referred to as the Jazz Age, saw a shift towards modernism and a break from traditional norms. Women, newly empowered by their contributions during the war and the fight for suffrage, began to assert their independence, both in lifestyle and fashion. This period also witnessed the flourishing of Art Deco, a style that emphasized elegance, glamour, and modernity, which influenced everything from architecture to perfume bottle designs.

The word "Acaciosa" likely derives from "acacia," a type of flowering tree known for its delicate, fragrant blossoms. In the context of perfumery, acacia flowers are prized for their sweet and slightly spicy scent, often used to create a warm and inviting fragrance profile. The suffix "-osa" suggests abundance or fullness, so "Acaciosa" can be interpreted as "abundant with acacias" or "rich in acacia blossoms." This name conveys a sense of luxuriance and natural beauty, making it an appealing choice for a perfume.

Parfums Caron, under the creative direction of Ernest Daltroff, chose the name "Acaciosa" to evoke the lush, fragrant qualities of acacia flowers. This choice reflects Daltroff's appreciation for botanical inspirations and his talent for crafting complex, evocative fragrances. The name "Acaciosa" encapsulates the essence of youth and vitality, aligning perfectly with the subtitle "Parfum de la Jeunesse," or "Perfume of Youth." It suggests a fragrance that is fresh, lively, and full of promise, appealing to the youthful, modern woman of the 1920s.

The name "Acaciosa" would have resonated with women who identified with the spirit of the times—those who were embracing new freedoms and exploring their identities. The target audience would have been sophisticated, fashion-forward women who appreciated the artistry and elegance of high-quality perfumes. They would likely respond to Acaciosa with a sense of excitement and curiosity, drawn to its promise of capturing the essence of youth and vitality in a bottle.

The word "Acaciosa" evokes images of blooming acacia trees, their branches heavy with fragrant blossoms swaying gently in the breeze. It brings to mind a sense of natural beauty, elegance, and the ephemeral nature of youth. Emotions associated with "Acaciosa" include freshness, optimism, and a hint of nostalgia for the fleeting moments of early adulthood. The name suggests a perfume that is both timeless and modern, capturing the essence of an era while appealing to the contemporary sensibilities of its time.

In terms of uniqueness, "Acaciosa" stands out as a distinctive and memorable name for a perfume. It was not out of touch for the 1920s; rather, it was perfectly aligned with the trends and cultural movements of the time. The use of botanical names in perfumery was common, but "Acaciosa" offered a fresh take by combining the familiar with a sense of abundance and richness. This made it an innovative and appealing choice, reflecting both the natural inspiration behind the fragrance and the luxurious experience it promised to deliver.

Created by the esteemed perfumer Ernest Daltroff, Acaciosa by Caron was more than just a scent; it was a symbol of the era's joie de vivre and a tribute to the enduring beauty of youth.