Parfum Sacre c1989

Parfum Sacre by Caron: launched in 1989, in USA in 1991. Created by Jean-Pierre Bethouart of Firmenich.

French Can-Can by Caron c1936

In 1936, Parfums Caron launched "French Can-Can," a fragrance that captures the lively spirit of the famed Parisian dance. The 1930s were a time of both turmoil and innovation, with the lingering effects of the Great Depression influencing global economies and cultures. In France, the era was marked by a mix of political instability and artistic flourishing, where the allure of Paris as a center of culture and fashion remained undiminished.

The "French Can-Can" refers to a high-energy and risqué dance that originated in the 1830s in Parisian dance halls, particularly at the Moulin Rouge. It is characterized by its high kicks, splits, and cartwheels, performed to fast-paced music. The dance was both scandalous and thrilling, symbolizing the liberation and joie de vivre of Parisian nightlife. For Parfums Caron, choosing the name "French Can-Can" for their perfume was a strategic decision to evoke the vivacious and glamorous spirit of Paris. This name was designed to appeal particularly to American women, who were enchanted by the romantic and stylish image of Paris.

"French Can-Can" makes an excellent name for a perfume because it instantly conjures images of excitement, elegance, and bold femininity. The name suggests a fragrance that is lively, sensual, and unapologetically confident—qualities that resonate with the energetic and adventurous spirit of the dance. For women in the 1930s, especially American women, this name would evoke a sense of escapism and fantasy, transporting them to the vibrant dance halls of Paris where glamour and allure reigned supreme.

The perfume "French Can-Can" would have particularly appealed to women who sought to embody or experience the charm and sophistication associated with Parisian culture. These women would likely respond to the perfume with a sense of nostalgia and aspiration, desiring to capture some of the magic and allure of Paris in their everyday lives. The images evoked by the term "French Can-Can" include the bright lights of the Moulin Rouge, dancers in frilly skirts performing daring moves, and a general atmosphere of celebration and effervescence. The emotions tied to these images include excitement, joy, and a touch of rebellion.

As a name for a perfume, "French Can-Can" was unique and well-suited to the time period. It was not out of touch; rather, it tapped into the prevailing fascination with Parisian culture and the timeless allure of its nightlife. The fragrance, created by Ernest Daltroff, aimed to capture this essence and provide American women with a sensory link to the glamour and romance of Paris, offering them a piece of the city's spirit to wear and cherish.

Infini c1970

Infini by Caron: launched in 1970. It was created by Gerard Lefortis and as a tribute to space travel. The Sege Mansau book lists Max Gavarry, master perfumer from IFF as the fragrance's composer.

 The name is directly inspired by the 1912 Caron perfume L'Infini by Ernest Daltroff.

The original L'Infini was discontinued, date unknown. Still being sold in 1957. In 1943, the perfume was changed to Infini.

Pour Un Femme de Caron c1949

Pour Un Femme de Caron: launched in 1949, created by Michel Morsetti. 

En Avion by Caron c1929

En Avion by Caron: launched in France in 1929, in USA by 1932. Pronounced "ON-AH-VEE-ON", the name means "By Plane" in French. Created by Ernest Daltroff as a tribute to not only the vogue of air travel, but to both the aviators Jean Mermoz, Hélène Boucher and Lena Bernstein, the latter surpassed the record for time in the air by a woman.

Aimez Moi c1996

Aimez-Moi: launched in 1996, in USA in 1998. The nose behind this fragrance is Dominique Ropion. It was directly inspired by the 1916 Caron fragrance N’Aimez Que Moi.