Caron Perfume Tester Racks

Nice looking vintage tester racks for Caron perfumes, the first example is in ivory Bakelite, the second example is made up of black and clear lucite. the perfumes shown are La Nuit de Noel, Le Narcisse Noir, Fleurs de Rocaille, Bellodgia, 

This is a store perfume tester set for Caron. There are 6 bottles in a black lucite holder with CARON in gold on both sides. To remove the bottles from the display you unscrew the gold knobs on each side and the piece lifts up, otherwise the bottles are locked down so they won't tip over or fall out. The perfumes are Le Narcisse Noir, Le Tabac Blond, Nuit de Noel, Muguet de Bonheur, Fleurs de Rocaile and Bellodgia.Photo from worthopedia.

Vintage Caron mini perfume bottle display. I believe this was a store counter display because the only way to access the bottles is to unscrew the gold knobs at each end and lift off the piece that reads "Caron." None of the 4 bottles have labels or marks of any kind. Each contains a glass dauber for testing the perfume. The bottles measure 2 1/4" tall. The base of the display measures 7" by 2 1/2". Photo from worthopedia

Parfum Sacre c1989

Parfum Sacre by Caron: launched in 1989, in USA in 1991. Created by Jean-Pierre Bethouart of Firmenich.

Caron Perfumes 1942 Advertisement

French Can-Can by Caron c1936

In 1936, Parfums Caron launched "French Can-Can," a fragrance that captures the lively spirit of the famed Parisian dance. The 1930s were a time of both turmoil and innovation, with the lingering effects of the Great Depression influencing global economies and cultures. In France, the era was marked by a mix of political instability and artistic flourishing, where the allure of Paris as a center of culture and fashion remained undiminished.

The "French Can-Can" refers to a high-energy and risqué dance that originated in the 1830s in Parisian dance halls, particularly at the Moulin Rouge. It is characterized by its high kicks, splits, and cartwheels, performed to fast-paced music. The dance was both scandalous and thrilling, symbolizing the liberation and joie de vivre of Parisian nightlife. For Parfums Caron, choosing the name "French Can-Can" for their perfume was a strategic decision to evoke the vivacious and glamorous spirit of Paris. This name was designed to appeal particularly to American women, who were enchanted by the romantic and stylish image of Paris.

"French Can-Can" makes an excellent name for a perfume because it instantly conjures images of excitement, elegance, and bold femininity. The name suggests a fragrance that is lively, sensual, and unapologetically confident—qualities that resonate with the energetic and adventurous spirit of the dance. For women in the 1930s, especially American women, this name would evoke a sense of escapism and fantasy, transporting them to the vibrant dance halls of Paris where glamour and allure reigned supreme.

The perfume "French Can-Can" would have particularly appealed to women who sought to embody or experience the charm and sophistication associated with Parisian culture. These women would likely respond to the perfume with a sense of nostalgia and aspiration, desiring to capture some of the magic and allure of Paris in their everyday lives. The images evoked by the term "French Can-Can" include the bright lights of the Moulin Rouge, dancers in frilly skirts performing daring moves, and a general atmosphere of celebration and effervescence. The emotions tied to these images include excitement, joy, and a touch of rebellion.

As a name for a perfume, "French Can-Can" was unique and well-suited to the time period. It was not out of touch; rather, it tapped into the prevailing fascination with Parisian culture and the timeless allure of its nightlife. The fragrance, created by Ernest Daltroff, aimed to capture this essence and provide American women with a sensory link to the glamour and romance of Paris, offering them a piece of the city's spirit to wear and cherish.

Farnesiana by Caron c1947

Farnesiana by Caron: launched in 1947. The man who created Farnesiana was Michel Morsetti who started recreating the perfume in 1941, based on Ernest Daltroff's notes.

Infini c1970

Infini by Caron: launched in 1970. It was created by Gerard Lefortis and as a tribute to space travel. The Sege Mansau book lists Max Gavarry, master perfumer from IFF as the fragrance's composer.

 The name is directly inspired by the 1912 Caron perfume L'Infini by Ernest Daltroff.

The original L'Infini was discontinued, date unknown. Still being sold in 1957. In 1943, the perfume was changed to Infini.

Voeu de Noel by Caron c1939

Launched in 1939, Voeu de Noel by Caron is a captivating floral oriental fragrance for women, crafted by the renowned perfumer Ernest Daltroff. This perfume emerged during a period rich with innovation and elegance in the fragrance world. The late 1930s were a time when the art of perfumery was deeply intertwined with the evolving trends in fashion and luxury. The era was characterized by a preference for opulent and complex fragrances, often blending floral and oriental notes to create sophisticated and multi-layered scent profiles. Voeu de Noel, with its floral oriental composition, aligns with this trend while offering a distinctive touch through its rose-centric formulation.

The name Voeu de Noel translates to "Christmas Wish" in English. This choice of name reflects a sentiment of hope and celebration, which was particularly poignant in the context of the late 1930s. The period was marked by a sense of anticipation and renewal as the world emerged from the uncertainties of the pre-war years. By naming the fragrance Voeu de Noel, Caron evoked images of festive cheer, romance, and the warmth of the holiday season. The name suggests a fragrance that embodies the spirit of giving and the joy of celebration, aligning with the emotional resonance associated with Christmas.

The choice of this name was quite unique for its time, as it directly connected the perfume to a specific holiday theme, which was less common in the industry. This thematic naming would have been evocative, appealing to consumers' desires for luxury and festive spirit. Voeu de Noel thus stood out as a distinct offering among its contemporaries, which often had names focused on abstract or exotic concepts rather than seasonal or emotionally charged themes.

In terms of cultural context, the late 1930s saw a variety of artistic and cinematic themes that resonated with notions of elegance and celebration. Films of the era, such as those showcasing glamorous holiday settings or romantic narratives, would have mirrored the kind of festive allure embodied by Voeu de Noel. The perfume's name and its association with a joyful occasion like Christmas would have been interpreted as a symbol of refined taste and seasonal luxury, making it a memorable and distinctive choice in the perfume market of the time.

Pour Un Femme de Caron c1949

Pour Un Femme de Caron: launched in 1949, created by Michel Morsetti. 

En Avion by Caron c1929

En Avion by Caron: launched in France in 1929, in USA by 1932. Pronounced "ON-AH-VEE-ON", the name means "By Plane" in French. Created by Ernest Daltroff as a tribute to not only the vogue of air travel, but to both the aviators Jean Mermoz, Hélène Boucher and Lena Bernstein, the latter surpassed the record for time in the air by a woman.

Coup de Fouet by Caron c1954

"Coup de Fouet," a perfume launched by Parfums Caron in 1954, arrived during a dynamic and transformative era. The 1950s were marked by post-war optimism and economic prosperity. This decade saw the rise of consumer culture, fashion innovation, and a burgeoning interest in luxury goods. People were eager to embrace modernity and sophistication, seeking products that reflected their newfound sense of confidence and glamour. The perfume industry, in particular, was thriving, with many brands introducing bold and distinctive fragrances to cater to the tastes of an increasingly discerning clientele.

The name "Coup de Fouet" translates to "Crack the Whip" in English. This evocative phrase suggests a sudden, sharp, and invigorating action, embodying a sense of power, dynamism, and excitement. Parfums Caron likely chose this name to convey the perfume's intense and stimulating character. The imagery of a whip cracking implies an immediate and striking impact, which aligns with the fragrance's composition featuring a sharp note of pepper. The name also hints at a certain audacity and boldness, qualities that would appeal to those seeking a perfume that makes a statement.

The spicy floral fragrance, created by Michel Morsetti, is known for its sharp note of pepper. "Coup de Fouet" is an apt name for this perfume because it encapsulates the essence of a scent designed to awaken the senses and leave a memorable impression. The spicy floral fragrance, with its distinct peppery note, provides a jolt of energy and vivacity, much like the sudden crack of a whip. This immediate and powerful sensation would be both invigorating and alluring, making it an appealing choice for those who desire a fragrance that stands out and captivates attention.

Eau de Caron c1980

Eau de Caron: Created in 1980 by Michel Morsetti and Gerard Lefort.  Not to be confused with the 1994 Eaux de Cologne by Caron.

Alpona c1939

Alpona was launched in 1939, against the backdrop of impending global conflict and the world's fascination with innovation and cultural exchange, exemplified by events like the 1939 World's Fair. This period also saw a strong appreciation for nature and escapism, with the French Alps symbolizing an idyllic, untouched beauty. In perfumery, this era celebrated natural ingredients and intricate compositions that could transport wearers to serene and exotic locales.

The French Alps are rich in botanicals used in perfumery. Lavender, for its calming and aromatic qualities; edelweiss, known for its soft, powdery floral notes; and various alpine herbs like thyme and rosemary, which provide fresh, green, and slightly spicy nuances. These ingredients encapsulate the purity and vitality of the alpine environment, creating fragrances that are fresh, invigorating, and deeply connected to nature.

The name "Alpona" ingeniously combines "Alp," referring to the French Alps, with the suffix "-ona," which adds a sense of femininity and elegance. The suffix "-ona" is often found in names and words that convey a grand or noble quality, adding an aura of sophistication and allure. By choosing this name, Parfums Caron and Ernest Daltroff aimed to evoke the majesty and beauty of the Alps while also suggesting a refined and elegant perfume experience.

"Alpona" as a name would appeal to those who appreciate both the natural beauty of the Alps and the sophisticated artistry of fine perfumery. It suggests a perfume that is refreshing, serene, and elegant, capturing the essence of alpine landscapes. The name resonates with individuals seeking an escape to nature and those who value the intricacy and craftsmanship in their fragrances. Showcased at the 1939 World's Fair, Alpona would have been seen as an international and sophisticated choice, drawing a cosmopolitan and discerning audience.

The word "Alpona" conjures images of snow-capped mountains, lush meadows, and clear, invigorating air. It evokes feelings of tranquility, purity, and a deep connection to nature. The name suggests a fragrance that offers a sensory journey to the serene and majestic environment of the French Alps, promising an experience that is both invigorating and calming. The detailed and natural beauty associated with alpine landscapes can be seen as a metaphor for the complex layers and notes in the perfume itself, offering a harmonious and enriching olfactory experience.

Aimez Moi c1996

Aimez-Moi: launched in 1996, in USA in 1998. The nose behind this fragrance is Dominique Ropion. It was directly inspired by the 1916 Caron fragrance N’Aimez Que Moi.