Parfum Sacre c1989

Parfum Sacre by Caron: launched in 1989, in USA in 1991. Created by Jean-Pierre Bethouart of Firmenich.

French Can-Can by Caron c1936

In 1936, Parfums Caron launched "French Can-Can," a fragrance that captures the lively spirit of the famed Parisian dance. The 1930s were a time of both turmoil and innovation, with the lingering effects of the Great Depression influencing global economies and cultures. In France, the era was marked by a mix of political instability and artistic flourishing, where the allure of Paris as a center of culture and fashion remained undiminished.

The "French Can-Can" refers to a high-energy and risqué dance that originated in the 1830s in Parisian dance halls, particularly at the Moulin Rouge. It is characterized by its high kicks, splits, and cartwheels, performed to fast-paced music. The dance was both scandalous and thrilling, symbolizing the liberation and joie de vivre of Parisian nightlife. For Parfums Caron, choosing the name "French Can-Can" for their perfume was a strategic decision to evoke the vivacious and glamorous spirit of Paris. This name was designed to appeal particularly to American women, who were enchanted by the romantic and stylish image of Paris.

"French Can-Can" makes an excellent name for a perfume because it instantly conjures images of excitement, elegance, and bold femininity. The name suggests a fragrance that is lively, sensual, and unapologetically confident—qualities that resonate with the energetic and adventurous spirit of the dance. For women in the 1930s, especially American women, this name would evoke a sense of escapism and fantasy, transporting them to the vibrant dance halls of Paris where glamour and allure reigned supreme.

The perfume "French Can-Can" would have particularly appealed to women who sought to embody or experience the charm and sophistication associated with Parisian culture. These women would likely respond to the perfume with a sense of nostalgia and aspiration, desiring to capture some of the magic and allure of Paris in their everyday lives. The images evoked by the term "French Can-Can" include the bright lights of the Moulin Rouge, dancers in frilly skirts performing daring moves, and a general atmosphere of celebration and effervescence. The emotions tied to these images include excitement, joy, and a touch of rebellion.

As a name for a perfume, "French Can-Can" was unique and well-suited to the time period. It was not out of touch; rather, it tapped into the prevailing fascination with Parisian culture and the timeless allure of its nightlife. The fragrance, created by Ernest Daltroff, aimed to capture this essence and provide American women with a sensory link to the glamour and romance of Paris, offering them a piece of the city's spirit to wear and cherish.

Infini c1970

Infini by Caron: launched in 1970. It was created by Gerard Lefortis and as a tribute to space travel. The Sege Mansau book lists Max Gavarry, master perfumer from IFF as the fragrance's composer.

 The name is directly inspired by the 1912 Caron perfume L'Infini by Ernest Daltroff.

The original L'Infini was discontinued, date unknown. Still being sold in 1957. In 1943, the perfume was changed to Infini.

Pour Un Femme de Caron c1949

Pour Un Femme de Caron: launched in 1949, created by Michel Morsetti. 

En Avion by Caron c1929

En Avion by Caron, launched in France in 1929 and later in the USA by 1932, evokes a sense of adventure, freedom, and the exhilaration of flight—both literal and metaphorical. The name En Avion, pronounced "ON-AH-VEE-ON", is French for "In the Airplane," draws a direct connection to the thrilling era of early air travel, a time when flying was still a rare and awe-inspiring feat. 

The perfume's name encapsulates the spirit of the 1920s, when aviation pioneers like Jean Mermoz, Hélène Boucher, and Lena Bernstein were making headlines for their groundbreaking achievements. Mermoz, known for his daring flights across the South Atlantic, Boucher, an accomplished French aviator, and Bernstein, who set new records for female aviators, all embodied the bold, adventurous spirit that En Avion sought to capture. The fragrance not only honors their legacy but also reflects the growing cultural fascination with flight during this era.

The words En Avion evoke imagery of soaring above the clouds, a sense of limitless possibility, and a fresh, unencumbered perspective. It’s a name that conjures up the glamour of the golden age of aviation—the smooth metallic sheen of aircraft, the rush of wind at high altitudes, and the promise of freedom and modernity. The fragrance feels like a tribute to women of the time who were beginning to embrace more daring, independent lives, reflecting the social changes of the Roaring Twenties and the emerging Art Deco period. In 1929, as flappers reveled in their newfound freedom, fashion was bold, exuberant, and vibrant. Dresses became shorter, silhouettes more fluid, and the social world opened up to new forms of self-expression and excitement—En Avion, in that context, seemed a fitting symbol of adventure and sophistication.

En Avion was created by the renowned perfumer Ernest Daltroff, and it is classified as a rich, spicy floral-oriental fragrance, blending opulent spices with warm, ambery notes. The scent opens with a captivating blend of spices—rich, slightly peppery, and enlivened by a subtle sweetness. It immediately recalls the sensation of excitement, much like the rush of a plane taking off, gaining altitude, and leaving the earth behind. Beneath this spicy veil, there’s a soft, floral heart, filled with delicate blooms like jasmine and rose, evoking the smooth flow of air around a soaring aircraft. These florals, while present, do not dominate the composition but provide an elegant balance to the heat of the spices, creating a seamless transition between the exotic, the daring, and the feminine.

Aimez Moi c1996

Aimez-Moi: launched in 1996, in USA in 1998. The nose behind this fragrance is Dominique Ropion. It was directly inspired by the 1916 Caron fragrance N’Aimez Que Moi.